The Only Child is a fruit, and not any fruit: it is about the grapes and the divine/decadent liquor obtained from them.
The poem starts with silver winter (“as an end to decay”) –
white text, continuing through the promising spring (“And she makes her arms/Like trees/To greet the rain” – just imagine the vine leaves growing and curling towards Life) –
green text, then there's the golden summer yielding sweetness, but the grapes are not ripe yet (“And that none should mourn/'til she herself decides to cry”) –
yellow text and finally there comes the glorious autumn taking pride in the tempting wine ("And as her tears/Finally begin to fall/Daughter smiles/For the world/Is falling with her")–
dark/ripe text.
“Might she find/what she seeks/right there beneath her? -
In vino veritas.
Wintry: Inner struggle whether to accept seclusion into the safe emptiness/silence of the Frost or to thaw into Life and get hurt again and again.
Venerean Pleas: Cosmic winter has brought death by devastation and darkness. The only living element is the sombre breeze itself ... “a divine breath/Tales of glory, rhymes of death”. And there’s another instance of existence in this frozen Universe that yearns to materialize: “Oh breeze I implore you might/Let me be the Earth on which/Your golden apples grow so bright”.
Seasons of Sorrow: the cursed existence of someone who lived too intensely much too quickly or too early (in both ways, negative and positive) and is now one with the emotional void: “In a frozen world of monochrome/The beauty of a rainbow/Fails to move you”.
This could also stand for the flowing of Time, constant, indifferent to mortals’ agitation/apathy or to seasons’ alternation, infinite, “stained” by glorious or shameful events, tired of all this endlessness (“But for you it's only pain”).
InflorescenceIceicelet wrote:
maybe there is a 3rd point too...
Yes, there is. On a personal note.
"She is a broken leaf,/But pretends not to crumble".